My Fave Five Foto Books , ever !

That should read “British” photography books but the British bit interfered with the alliteration !

Please note this is not necessarily a “Best” but fave list , the criteria for inclusion is personal , I suspect that my list holds few surprises for most photographers of the same vintage as me .

The books that I value most , tend to be those that have taught me most .

A Day Off , Tony Ray Jones , 1974 .

Lets not mess about , the list starts with the foundation of British Street / Doc Photography , A Day Off , Tony Ray Jones , the guy who showed many of us how to see Britain in a new way , I did not realise that photography was capable of communicating so much until I came across the work of TRJ , humour and empathy with lashings of surrealism create a humanistic melting pot that reflects the social complexities, contradictions and eccentricities of a changing 1960’s England .

A photo-book masterpiece published posthumously in 1974 .

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The English , Ian Berry , 1978

This is a portrait of England that I hold in the highest regard , this monochromatic study of my country lacks the visual poetry that TRJ brings to his work in exchange for a portrait of a more industrious nation.

Berry is a master photographer at the top of his game here , this is England through a more objective , “Critical” journalistic eye .

Berry’s superior use of light is demonstrated best when he photographs the North East mining communities , shooting against low sunlight in a couple of memorable views .

Berry actually shoots from Byker Bridge towards the Cluny Wharehouse & river Tyne in one shot , it appears that world class photographers were everywhere in Newcastle’s east end at this time !


The Last Resort , Martin Parr , 1986 .

No blog on British photo-books would be complete without at least one of Martin Parr’s tomes , at the risk of being predicable The Last Resort can not be overlooked !

In my view The Last Resort is a game changer within British photography and the evolution of the Photo-Book as a vehicle for Art / Doc photography. Especially when compared with the books already mentioned in this blog .

It is easy to forget that this book appeared in 1986 and challenged everything that had gone before , Parr brought a new aesthetic to British documentary photography that sat comfortably alongside his newly developed critical , sarcastic eye !

The new middle-class gaze had landed , aided and abetted by TRJ & Dewi Lewis !

The Non-Conformists and Bad Weather lived on another planet and belonged to another time and maybe a different photographer ?

I suspect Paul Grahams use of colour in his 1983 A1 project influenced Parrs’ choice of film stock , I can also inform readers that the super powerful fill-flash technique was borrowed from Killip’s Sea Coal project technique !

Lots to like and lots to loathe here in this depiction of New Brighton , this book seriously conflicts me and wrong foots me with every viewing , long may it continue ?

This book lives on my fave list because I am yet to resolve how I feel about it ?

This book challenged and expanded my idea of what photography could be, just when I thought I already knew !


Cardiff After Dark , Maciej Dakowicz , 2012 ,

Every now and then a book comes along that punches way above my expectations , this is that book !

British based Polish photographer Maciej Dakowicz spent five years documenting the weekend party-night activities of the Welsh capital , warts and all !

All of life fuelled by alcohol is captured here in this deceptively simple record of weekend drinking culture during the 21st century , sadness , loneliness and humour are captured with unusually high levels of empathy,

Photographers who have attempted to shoot this subject themselves will appreciate the skills, risk and persistence required here .

A book that reminds us all that the old dogs don’t know all the new tricks and your next photo project subject might not be too far away .


Byker , Sirkka-liisa Konttinen , 1983 .

This book and all the work in it influenced my life , not just my photography !

In fact the work in this book and all things Side Gallery really helped to shape my life choices , I knew at the age of 14 that photography would play a important role in my life . Many of the locations in this book were very familiar to me as were some of the faces , my connection with this work is much deeper than my usual relationship with a photography book , the history of this book overlaps my personal history .

The work of Sirkka-liisa Konttinen is established now and does not need any introduction or endorsement from me , I was introduced to much of the Byker work via Side Gallery long before the book appeared , Side Gallery demonstrated to a teenage me the power of photography, long before the tinternet age !

The Byker book is much more than a documentary record of life in 1970’s Byker to me , it is a reflection of places, faces and my life at this time , it taught me that my everyday was a valid photo subject and that photography could be a career .

A wonderful book that gets better with age , looking back Raby Street feels and looks like another life , I’ve just remembered the surreal astronaut that used to live on the bingo hall ?

Can the pictures in a photo-book change your life ? I know that they can …

Did HCB once have a pint in The Middle Club ?

My lips are sealed …

Books by Jimmy Forsyth , Chris Killip , “Johnny Stiletto” , Markéta Luskačová , Bill Brandt , Humphrey Spender , Shirley Baker, Bert Hardy, McCullin and many others also live happily alongside each other in the British Doc section of my photobook collection.

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David Barrett shot the pandemic crisis during 2020, The Testing Times project can be seen by clicking above .   

The State Of Britain series is complete, it explores everyday life during the Brexit era and gives visual insights into British identity, aspirations and post-truth uncertainty .....

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He is based in the South West of England .